Something Wicked This Way Comes, April 26th, 2010
Well, after a month of silence, I’m about to unleash the final versions of all my websites. Tomorrow, I’ll roll out a splash page on Divided Frame and unveil Hell Hath No Fury. Then, the following week, Divided Frame, Cinema Destroyed and my personal page, bradbaker.org, will all be updated.
As for this, expect great things over the summer and beyond.
Hell Hath No Fury Teaser, March 28th, 2010
Personally, I’d recommend viewing it in HD on Vimeo.
Hell Hath No Fury, Post-Production, Pt. 2, March 23rd, 2010
In about five minutes, I’ll be totally finished with the film. It’s burning to a DVD right now, and I just put together a DVD case. Here’s what I whipped up:

Anyway, I’m off to class to turn this bad boy in. Then I’m coming back home, watching Lost, and going to sleep.
Hell Hath No Fury, Post-Production, Pt. 1, March 23rd, 2010
It’s way too damn early. Or should I say late? Final Cut Pro has consumed me.

Regardless, it’s 6:34 in the morning and Compressor just finished rendering the finished cut of Hell Hath No Fury. I’m turning it in tonight, but I have no idea when we’re going to actually be screening the film. Now, since it’s my policy to keep the film under wraps until it’s shown to its intended audience, I’m going to put together a teaser on Thursday to tide everyone over.
Overall, I’m really happy with the film. It came in at just over six minutes. No score and mostly locked-down shots, both of which are new for me. Oh, I ended up making the film black and white, and I think it looks gorgeous. See for yourself:



Hell Hath No Fury, Day 2, March 21st, 2010
Sure enough, the second and final day of filming Hell Hath No Fury has come and gone, and a hell of a lot got done. After Chris showed up to set with a haircut, we realized that we’d have to reshoot everything we shot on Friday, but we went one step further: We rewrote the entire script. The basic story is the same, but the ending and allegiances are much different. It was a hectic and passionate writing session.

Our set was absolutely phenomenal. Patrick was able to get us into his uncle’s (my future landlord, also) furniture repair shop, and it fit the mood perfectly. Since we’d just rewritten the ending, I had to come up with dialogue, give everyone blocking, and decide on camera angles all on the fly. Thankfully, all of my actors were forgiving of this and worked with me to iron out all the kinks.



Now it’s on to editing. I’m not looking forward to going through three+ hours of audio, but someone’s gotta do it.
Hell Hath No Fury, Day 1, March 20th, 2010
Just got finished with the night shoot for Hell Hath No Fury. We drove up to north Phoenix and found an empty street corner (literally) that overlooked a highway. This seemed as good a location as any to shoot, so we set up camp and spent a few hours trying to light shots with headlights and flashlights.

Our cast was made up of Ashley Wilson, Chase Gammon, Jennifer Cota, and Chris Thomas. Our crew was Patrick Sproull and Emilio Santellan. Ashley was especially cooperative, seeing as we tied her up and stuck her in the back of a truck for most of her scenes.
The script called for a gun, so I bought an airsoft gun and spray-painted it black. I’m pretty sure that’s illegal, but if it’s jail or film, I choose both. Throughout shooting, we had to make sure to try and keep the gun out of sight so that no random passers-by would call the cops.

I’m considering making the film black and white in post—a lot of these night shots are just too saturated with artificial colors. It would also be nice to bring the blacks down and get rid of some of the grain. Oh, to have a large budget and countless minions.
At one point during shooting, a car pulled up, stopped, and asked us if we were okay. This was in the middle of a scene where Jack aims a gun at Rebecca, who is tied up on the ground. Thankfully, we’d already tucked the gun out of sight. The man in the car simply asks if we’re okay. Not, “What are you kids doing out here at 11 at night?” Not, “Why are you all standing around that girl in ropes on the ground?” Nope, just, “Are you all okay,” as if we had a flat tire and the girl on the ground just comes with the territory.
Still, it was nice of him to stop.

Shooting will resume (and wrap!) on Sunday. There might be a few reshoots I need to grab sometime, too, but right now I’m more concerned with footage I don’t have. Overall, it was a very successful shoot, and I’m looking forward to Sunday.
In North Korea, I’d Be Executed For Posting This, March 19th, 2010



All of these and more at Mightygodking.com.
My only question is, what’s Kim Jong-il doing in those glasses and jacket? If I were a dictator, I’d have some damn nice clothes.
Kim Jong-il, you’re doing it wrong.
Regarding My Far-Flung Beliefs, March 17th, 2010
This essay was written for my English class. The assignment was to write as if we were going to submit our paper to NPR’s This I Believe website.
I believe in travel.
I was about six the first time I came untethered. The air around me shook with a sound I’d never heard; rubber lifted from pavement, and we were airborne, bound for London. I have only vague recollections of the ensuing trip: my father and I looking over the bustling French landscape from the Eiffel Tower. The darkness of the Channel Tunnel. A lightly-buttered croissant for breakfast in a Parisian hotel. These memories, though faded, are what remain of my first trip across the Atlantic.
This was only the beginning.
I’ve learned what a tragedy it is that most people travel merely to see the world. This is not to say that the world isn’t filled with wonder; it surely is. Though when I think back to all the places I’ve been, my location is always a backdrop for the people I’m with. I don’t just remember the Sistine Chapel; I remember my father describing it to me, telling me about Michelangelo and the Renaissance and Catholicism, every new tourist stop becoming a history lesson. I remember my grandmother teaching me how to tie a square knot in the backseat of a rental car in the middle of Alaska, my mother taking me through shops in Vienna, San Diego, Copenhagen, Toronto. I’ve witnessed arguments, my parents’ endless bickering about airlines and maps. We’ve stayed in a motel with a leaky roof, flown standby on a hope and a prayer, rented cars in bad areas of Los Angeles, all to afford to be somewhere new.
Some memories stand out more than others: the Mona Lisa and the World Trade Center are blurry at best, but I clearly remember standing in St. Peter’s Square in the Vatican among thousands of people on Ash Wednesday, looking up with everyone else at Pope John Paul II. I remember my mother and I frantically looking for my dad driving our unfamiliar rental car, the Sydney Opera House behind us. Riding the L to the Sears Tower, looking out the window at the endless streets, both my parents telling me stories about their visits to the Windy City. Standing with my mother in the middle of the Coliseum, counting all the stray cats who live in its nooks and crannies. My father teaching me to say grazie and prego, danke and bitte, merci and pas de quoi. Being amazed to learn that my dad has a motorcycle license when he rents one to drive around Key West. Weaving through traffic at breakneck speed sandwiched between my parents in the back of a beat-up taxi in Tijuana. Witnessing my father pleading with a British police officer not to give us a parking ticket—we were just getting our bags from the curb of the Ibis! We have to catch our flight back to the States! (I don’t think we ever paid that ticket.)
My family bred in me a love for travel and adventure, a thirst for foreign places. They taught me to sit comfortably in a car for hours on end, speeding down the Autobahn to the Swiss border, and further still. I learned to drive hundreds of miles with ease going back and forth between Georgia and Texas twice a year. Looking back, though, I had no idea just how much those trips made me who I am.
During my freshman year of college in Santa Fe, a group of us decided that to get home for the holidays, we’d carpool from New Mexico to North Carolina, dropping off people along the way: We planned to stop in Austin, Memphis, Atlanta, and Charlotte. Naturally, I’d driven out to Santa Fe, so I offered to drive everyone back across the continent. For me, it was never so much about the trip; it was the innate adventure.
On our third day of travel, about an hour east of Texarkana, we hit ice, which is to say, the entire Interstate hit ice and came to a halt. It was 2:00 am and below twenty outside, and we were making about five miles an hour, slowly passing overturned eighteen-wheelers surrounded by police cars, everyone just as stuck as we were. But the three of us left in the car—me, my girlfriend Kim, and her roommate Sophia—we just turned on the radio and talked about the upcoming break, about how glad we were to have stopped for food and gas at the border. We eventually made our way off of the highway and got a room for the night, re-planning the rest of the trip, trying to get as far south as possible.
When most people hear this story, I’m greeted with sympathy and frustration. “That must have been awful, to have to stop for the night!” “The weather’s a real bitch sometimes, huh?” But all I see is another trip that brought me closer to the people I care about, so I think back to our discussions in the car, stopped on I-35. I imagine we were surrounded by angry, tired drivers who were sick of traveling, and I can’t say that I blame them. But I know what was happening in our car. Sophia had drifted off to sleep in the backseat, and Kim and I were discussing our next trip. Three weeks later, we got off the A line and walked across Columbus Circle to our hotel, racing to get out of the dreadful Manhattan sleet, stopping in a Duane Reade to look at a map.
And I’m already itching to go somewhere else all over again.
